The Ongoing world of Sir Bob Cornelius Rifo - New Music, Live Impact, Studio Process, Archive, and the Machinery around The Bloody Beetroots.
SUMMER SONIC 2026 / TOKYO ~ JAPAN / DIM MAK:30 ~HARAJUKU RAVE CLUB /
SUMMER SONIC 2026 / TOKYO ~ JAPAN / DIM MAK:30 ~HARAJUKU RAVE CLUB /
Sam came to Italy at the end of May 2026 for a few studio sessions. We took our time with it. We had long lunches, dinners, and a lot of conversations in between. Italy was moving slowly, as it does, and that gave us the space to think about the song, talk about music, and understand where we wanted to take it.
From the first day, I could see how clear Sam’s vision was. She had done her homework before coming into the studio. She knew the history of The Bloody Beetroots, the scene where the project came from, and the records that built that sound. I really appreciated that because it gave us a common language from the beginning.
We went back into the original TBB sound and started playing with it from where we are today. The dirt, the compression, the energy, all of it came back into the room very naturally. It felt a bit like back to the future, just with better food.
A few days in Italy, many conversations, a lot of eating, thinking, and making noise. That’s how I LIKE IT came to life.
I can’t wait for you all to hear it.
I LIKE IT / Sept. 11th, 2026
I LIKE IT w/ Sam Quealy
LATEST TRANSMISSION
The Bloody Beetroots join DIM MAK 30 in Tokyo, Japan, to celebrate 30 years of noise, chaos, and future classics.
An explosive DJ set loaded with the records that shaped the past, defined the present, and still sound like the future.
DIM MAK:30 — HARAJUKU RAVE CLUB
MIDNIGHT SONIC
August 14, 2026
Tokyo, Japan.
SUMMER SONIC 2026 // DIM MAK:30 ~HARAJUKU RAVE CLUB~
SUMMER SONIC 2026 // DIM MAK:30 ~HARAJUKU RAVE CLUB~
Upcoming Shows
*
Upcoming Shows *
ENTER THE WORKSHOP
This project is an open construction site. A workshop full of mechanics and laborers of sound, where ideas get tested, pulled apart, and built back stronger. Sometimes it’s just me. Sometimes it’s me and the team. Either way, the purpose stays the same: to explore the world around us — its habits, its codes, its shifts — and turn it into music and vision.