RECORDS
Twenty years of noise, distortion and evolution.
Every record. Every era. From the first release to what comes next.
Every record. Every era. From the first release to what comes next.
ALBUMS & EPs
2017 — THE GREAT ELECTRONIC SWINDLE
Released in 2017 on Last Gang Records, The Great Electronic Swindle pulled punk and rock blood back into TBB at full scale. My Name Is Thunder with Jet became the detonator, surrounded by Perry Farrell, Gallows, Anders Fridén, Prayers, Mr. Talkbox, and Jay Buchanan.
ALBUMS & EPs
2026 — LIVE AT MONTREUX 2017
Recorded at the Montreux Jazz Festival in 2017 and released on October 9, 2026 by Mercury Studios / Universal Music Group, Live at Montreux 2017 captures The Bloody Beetroots with the full band onstage. Punk, electronics and live instruments meet in a performance now available on double vinyl, Blu-ray + CD and streaming.
2025 — FOREVER Pt.1
Released in 2025 on Out Of Line Music, FOREVER Pt.1 opened the twenty-year mark by pushing forward, not looking back. N8NOFACE, Teddy Killerz, Tokky Horror, Grabbitz, Bob Vylan, and Jacknife carried the project into its current chapter.
2021 — RiMS RACING (OFFICIAL SOUNDTRACK)
Released in 2021, RiMS Racing put The Bloody Beetroots inside NACON and RaceWard Studio’s motorcycle simulator, available on PlayStation, Xbox, Nintendo Switch and PC. Bob wrote six original tracks exclusively for the game, released together as the official soundtrack EP: Bully, Ready Player One, Bleeding, Blow, Easy and Ezekiel. His passion for motorcycles became part of the game itself, with a dedicated bike livery and riding outfit.
2021 — THE CATASTROPHISTS w/ TOM MORELLO
Released in 2021, The Catastrophists turned the first collision with Tom Morello into a sustained creative run. Built around The Devil’s Infantry, Radium Girls, Lightning Over Mexico, Keep Going, and Weather Strike, the project connected protest music, electronics, and punk without compromise.
2019 — HEAVY
Released in 2019, Heavy took The Bloody Beetroots back to the club after The Great Electronic Swindle. Five tracks built for the DJ set, mixing the project’s early electro sound with new electronic textures. Wildchild with Ephwurd and Fkn Face with Dr. Fresch led the experiment: direct, physical dance music with room to try something new.
2017 — THE GREAT ELECTRONIC SWINDLE
Released in 2017 on Last Gang Records, The Great Electronic Swindle pulled punk and rock blood back into TBB at full scale. My Name Is Thunder with Jet became the detonator, surrounded by Perry Farrell, Gallows, Anders Fridén, Prayers, Mr. Talkbox, and Jay Buchanan.
2015–2016 — SBCR Vol. 1/2/3
Released on Dim Mak between 2015 and 2016, the SBCR trilogy documented Bob’s most volatile club laboratory. The Grid, the Refused remix of Elektra, and syncs with L’Oréal, Saint Laurent, and Lancôme kept the experiment connected to punk, fashion, and visual culture.
2013 — HIDE
Released in 2013 on Ultra Records, Hide widened the project into a heavier, cinematic form. Spank, Rocksteady, and Chronicles of a Fallen Love led a record featuring Paul McCartney, Tommy Lee, Peter Frampton, Greta Svabo Bech, and Theophilus London.
2011 — BEST OF… REMIXES
Released in 2011 on Dim Mak, Best Of… Remixes gathers The Bloody Beetroots’ defining early remixes from the electroclash and indie sleaze years. The Chemical Brothers, Robyn, MSTRKRFT, Tiga, Vitalic, Étienne de Crécy, Goose, Proxy, The Toxic Avenger, The Whip and Refused—all pulled through Bob’s unmistakable distortion. These were the tracks passed between music blogs, burned CDs and packed DJ booths, helping carry The Bloody Beetroots from the underground into clubs around the world.
2010 — RIFOKI
Released in 2010, RIFOKI captured the hardcore punk collision between Bob Rifo and Steve Aoki. With Rocco Rampino on bass, Franz Valente on drums, production by Giulio Favero, and artwork by Mark McCoy, it remains one of the most radical side moves in the TBB world.
2009 — ROMBORAMA
Released in 2009 on Dim Mak, Romborama turned The Bloody Beetroots from an underground signal into a global force. Built around Warp 1.9 and shaped visually with Tanino Liberatore, it fused electro, punk, and Italian counterculture into a language of its own.
2009 — ROMBORAMA
Released in 2009 on Dim Mak, Romborama turned The Bloody Beetroots from an underground signal into a global force. Built around Warp 1.9 and shaped visually with Tanino Liberatore, it fused electro, punk, and Italian counterculture into a language of its own.
2013 — HIDE
Released in 2013 on Ultra Records, Hide widened the project into a heavier, cinematic form. Spank, Rocksteady, and Chronicles of a Fallen Love led a record featuring Paul McCartney, Tommy Lee, Peter Frampton, Greta Svabo Bech, and Theophilus London.
2015–2016 — SBCR Vol. 1/2/3
Released on Dim Mak between 2015 and 2016, the SBCR trilogy documented Bob’s most volatile club laboratory. The Grid, the Refused remix of Elektra, and syncs with L’Oréal, Saint Laurent, and Lancôme kept the experiment connected to punk, fashion, and visual culture.
2021 — THE CATASTROPHISTS w/ TOM MORELLO
Released in 2021, The Catastrophists turned the first collision with Tom Morello into a sustained creative run. Built around The Devil’s Infantry, Radium Girls, Lightning Over Mexico, Keep Going, and Weather Strike, the project connected protest music, electronics, and punk without compromise.
2010 — RIFOKI
Released in 2010, RIFOKI captured the hardcore punk collision between Bob Rifo and Steve Aoki. With Rocco Rampino on bass, Franz Valente on drums, production by Giulio Favero, and artwork by Mark McCoy, it remains one of the most radical side moves in the TBB world.
THE PAST IS NOT DEAD. IT’S LOADED. SIGNALS FROM EVERY ERA.
THE PAST IS NOT DEAD. IT’S LOADED. SIGNALS FROM EVERY ERA.
2025 — FOREVER Pt.1
Released in 2025 on Out Of Line Music, FOREVER Pt.1 opened the twenty-year mark by pushing forward, not looking back. N8NOFACE, Teddy Killerz, Tokky Horror, Grabbitz, Bob Vylan, and Jacknife carried the project into its current chapter.
SELECTED SINGLES
2011 — CHURCH OF NOISE feat. DENNIS LYXZÉN
Released in 2011 on Ultra Records, Church of Noise fused Martin “Youth” Glover’s production with the voice of Dennis Lyxzén of Refused. More than a single, it became the first clear blueprint for the band-driven electronic punk direction that later exploded through Hide.
ESSENTIAL SINGLES
2026 — STOMPERS with HYRO THE HERO & MAZARE
Released on Out Of Line Music, STOMPERS carries the crossover spirit of Church of Noise into a new chapter. Bob brought Hyro The Hero in to give that leap a voice, driving punk, rap, heavy rock and electronic pressure into one collision.
2025 — KILLING PUNK feat. BOB VYLAN
Released in 2025, KILLING PUNK collided The Bloody Beetroots with Bob Vylan’s mix of punk, rap, grime, and hardcore. No museum glass and no tribute act—just proof that punk still carries force when it is used properly.
2021 — ELEVATE with TEDDY KILLERZ
Released on Monstercat, Elevate marked Bob’s first step into drum and bass alongside Teddy Killerz. A new tempo, the same appetite for distortion: punk energy carried into a different club language.
2017 — MY NAME IS THUNDER feat. JET
Released in 2017 with Jet, My Name Is Thunder began in Bassano with Nick Cester and expanded across Italy, Los Angeles, and Australia. Rock blood, swagger, and electronic pressure made it the spark that opened The Great Electronic Swindle.
2013 — ROCKSTEADY
Released in 2013 as part of Hide, Rocksteady pushed TBB into cinematic territory. Its raw road-movie video, directed by Wyatt Neumann and filmed across the American desert, later travelled through The Equalizer, Elementary, and Asphalt 8: Airborne.
2013 — SPANK feat. TAI & BART B MORE
Released in 2013, Spank captured the most physical side of Hide. Built with TAI and Bart B More, the track’s sharp impact was matched by its New York video with Kenny Wormald.
2013 — OUT OF SIGHT feat. PAUL McCARTNEY & YOUTH
Released in 2013 as part of Hide, Out of Sight grew from a radical rework with Martin “Youth” Glover into a final collaboration with Paul McCartney. The result pushed TBB into a wider musical world without losing its nerve.
2012 — CHRONICLES OF A FALLEN LOVE feat. GRETA SVABO BECH
Bob heard Greta Svabo Bech on deadmau5’s Raise Your Weapon and knew he wanted to work with that voice. Recorded together in the Faroe Islands, Chronicles of a Fallen Love brought a new emotional depth to his distorted drops. The experiment became one of The Bloody Beetroots’ defining singles.
2011 — CHURCH OF NOISE feat. DENNIS LYXZÉN
Released in 2011 on Ultra Records, Church of Noise fused Martin “Youth” Glover’s production with the voice of Dennis Lyxzén of Refused. More than a single, it became the first clear blueprint for the band-driven electronic punk direction that later exploded through Hide.
2009 — WARP 1.9 feat. STEVE AOKI
Released in 2009 with Steve Aoki, Warp 1.9 was the detonation point. It carried The Bloody Beetroots out of the underground and helped define the scale, violence, and attitude of the electronic era that followed.
2008 — CORNELIUS
Released in 2008 on Dim Mak, Cornelius fused punk ’77, Oi!, electro pressure, graphics, fashion, and Michael Moorcock’s shape-shifting anti-hero into one language. It was one of the first signals that TBB would never be only a music project.
2008 — BUTTER
Released in 2008, Butter helped push TBB beyond the blog-era underground. Its appearances in FIFA 09 and MTV’s Jersey Shore campaign proved early that the sound could cut through games, television, and youth culture without losing its bite.
2009 — WARP 1.9 feat. STEVE AOKI
Released in 2009 with Steve Aoki, Warp 1.9 was the detonation point. It carried The Bloody Beetroots out of the underground and helped define the scale, violence, and attitude of the electronic era that followed.
2008 — CORNELIUS
Released in 2008 on Dim Mak, Cornelius fused punk ’77, Oi!, electro pressure, graphics, fashion, and Michael Moorcock’s shape-shifting anti-hero into one language. It was one of the first signals that TBB would never be only a music project.
2008 — BUTTER
Released in 2008, Butter helped push TBB beyond the blog-era underground. Its appearances in FIFA 09 and MTV’s Jersey Shore campaign proved early that the sound could cut through games, television, and youth culture without losing its bite.
2013 — ROCKSTEADY
Released in 2013 as part of Hide, Rocksteady pushed TBB into cinematic territory. Its raw road-movie video, directed by Wyatt Neumann and filmed across the American desert, later travelled through The Equalizer, Elementary, and Asphalt 8: Airborne.
2013 — SPANK feat. TAI & BART B MORE
Released in 2013, Spank captured the most physical side of Hide. Built with TAI and Bart B More, the track’s sharp impact was matched by its New York video with Kenny Wormald.
2017 — MY NAME IS THUNDER feat. JET
Released in 2017 with Jet, My Name Is Thunder began in Bassano with Nick Cester and expanded across Italy, Los Angeles, and Australia. Rock blood, swagger, and electronic pressure made it the spark that opened The Great Electronic Swindle.
2013 — OUT OF SIGHT feat. PAUL McCARTNEY & YOUTH
Released in 2013 as part of Hide, Out of Sight grew from a radical rework with Martin “Youth” Glover into a final collaboration with Paul McCartney. The result pushed TBB into a wider musical world without losing its nerve.
2025 — KILLING PUNK feat. BOB VYLAN
Released in 2025, KILLING PUNK collided The Bloody Beetroots with Bob Vylan’s mix of punk, rap, grime, and hardcore. No museum glass and no tribute act—just proof that punk still carries force when it is used properly.